Welcome to the first episode of the Pop Culture Hound podcast with Chris Thompson (@popculturehound) & Taylor Lilley (@capelessT) from The Orbiting Pod podcast. In this first episode, Chris & Taylor discuss various up-and-coming creators who are producing comics in print and for the web. Comics & creators discussed include:
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I have to thank Camila at Orbital Comics for pointing this one out to me. I wasn’t at all familiar with Robert Brown’s work, but his new series Killjoy is a joyous exploration of childhood memories and simpler times (despite what the title may suggest).
Described as ‘a comic for the discerning nostalgist’, I can certainly see where Robert is coming from with that sentiment. The I Am David homage cover immediately drew me in, and for anyone else who was forced to read Anne Holm’s novel as a child it will bring back many memories (although not necessarily good ones).
The interiors maintain the same standard as the cover and perfectly straddle the line between poignancy and awkwardness. There are moments to make you laugh, others to make you cringe, and an overwhelming flood of sentimentality for the innocence of childhood. In an age where that’s all but disappeared, Killjoy makes for a delightfully indulgent read.
I look forward to issue 2 in 2012 and trust it will once again transport me back to a time when life was simpler yet somehow felt more complex. Although these are Robert’s own stories and experiences, they awakened a whole host of memories in me which, I believe, is one of the intended by-products.
Killjoy #1 is available now from Orbital Comics or direct from Robert himself. For £2 you really can’t go wrong! Check out his website at: http://pygmyking.blogspot.com/
(Apologies for the incomplete image of I Am David. I couldn’t find a better picture of the original, so hopefully this is enough to jog your memory or give you some idea of the similarity between the two covers.)
ARCHIE #627: Archie meets KISS Part 1 (Archie Comics) – There’s really not a lot to say about this. It is what it is. But it does have an amazing Francavilla variant cover that’s worthy of framing. If nothing else, buy it for that!
BATMAN: ODYSSEY #2 (DC Comics) – This comic is a lot like Marmite: you’ll either love it or you’ll hate it. This time around the Dark Knight Detective investigates Neal Adams’ Hollow Earth theory and rides a giant Man-Bat. Just because.
T.H.U.N.D.E.R. AGENTS #1 (DC Comics) – Once again Nick Spencer proves he’s a much better fit at DC than Marvel. I don’t know what it is exactly, but his aesthetic seems to fit this universe more. Sadly this is the run-up to the end, but it will make a nice complete run when it’s finished.
DAREDEVIL #6 (Marvel Comics) – Matt Murdock goes from the Man Without Fear to the Most Dangerous Man Alive when he comes into possession of a strange artifact. I really didn’t see that one coming. Neither did he.
FF #12 (Marvel Comics) – If Hickman is planning to use FF as a spotlight for the kids (as he does in this issue) then he may be on to something. Splitting the formerly unwieldy cast between two books actually makes sense in this case. Plus, Junior Doom! What’s not to love?
THUNDERBOLTS #166 (Marvel Comics) – You could call this issue Hyde in Plain Sight as the ‘evil’ Thunderbolts continue their jaunt through time and wind up in Ripper-era London. Cue strange dialogue and generic street scenes that don’t seem quite right.
FLASH GORDON: ZEITGEIST #1 (Dynamite Entertainment) – Returning to the character’s pulp roots, this book was much better than expected. Daniel Indro’s art is gorgeous, perfectly evoking the wartime era with a modern sensibility – and his Dale Arden is a delicious cross between Lois Lane and The Rocketeer’s Betty. Fun, engaging stuff that leaves me wanting more.
STAR WARS: CRIMSON EMPIRE III #2 (Dark Horse Comics) – I’ve often found Dark Horse’s Star Wars comics to be a little hit and miss for me, but Crimson Empire III is right on the money. Dark Horse publisher and occasional writer, Mike Richardson, is no stranger to the property, but the real draw for me is comics veteran Paul Gulacy who uses a wonderfully clean and kinetic style to tell the story. Recommended.
A group of strangers find themselves trapped on an isolated beach as things start going wrong. People are dying, children are aging rapidly and yet, despite it all, they can’t seem to leave. Can this motley group discover how to work together and escape the beach before it’s too late? That’s the basic premise behind this exciting new book from artist Frederik Peeters, writer Pierre Oscar Levy and publisher Self Made Hero.
Doug and the crew at Self Made Hero have done an incredible job of securing and translating some stunning European releases this year, and Sandcastle is no exception. Credit must be given to translator Nora Mahony who also translated David B’s Black Paths which I enjoyed so much earlier this year. With their current output, Self Made Hero are putting forward a strong argument for why more European volumes should be translated into English.
Art-wise, Peeters cleverly employs his style to contrast the tranquility of the setting with the growing uneasiness of those involved. It’s a delicate balance which puts you in the position of a voyeur – a helpless bystander observing silently as events unfold. I hadn’t planned on reading the book in one sitting, but for a brief period of time I was transported to the sands of that deadly beach and forced to watch the story play out.
Of course, the book couldn’t survive on art alone, and writer Pierre Oscar Levy does a wonderful job of creating characters you know. Not necessarily ones you like, but definitely ones you will know and recognise. The result is to reinforce the unsettling truth that you can’t always choose those you find yourself surrounded by. We go through life together and make do as best we can.
I won’t spoil the ending as the mystery is key to your enjoyment of the book. This is the kind of book I’d imagine Rod Serling writing in a Parisian cafe if he was looking to submit something at Angouleme. It’s no surprise to learn that Sandcastle was in fact nominated for the Grand Prix at the Angouleme International Comics Festival earlier this year.
As part of the excellent Comica Festival, Frederik Peeters will be signing copies of the book and taking part in a Q&A at Gosh! Comics London this Friday, November 11 from 6:30pm. Head down and pick up a copy of Sandcastle along with one of the free bookplates designed especially for the event. Maybe I’ll see you there …